Coincidence
or fate, I distance myself from deciding on this, but one thing is certain: the
run of events that led to writing this review appeal at least to me inevitable
and can be traced back to a moment in my life I still recall as a very precious
and defining one: it has been the day that I started writing song reviews. And
it has been the day I was introduced to remarkable and refined rock music, genuinely
embodied by the St. Helens based four piece indie rock set TiTORS iNSiGNiA.
It was in
May/June 2013 when I was kindly asked by the dedicated and enthusiastic team of
music promoters behind Square Pig’s Sty Rockin' Charts (@sqrpig http://squarepig.co.uk/), to write a song review for their
website, a song review for one of TiTORS iNSiGNiA’s compositions called ‘Get Yourself A Name’ - a composition
which strikes due to its vivid and vigorous melody, its strong and vibrant
vocals (read the full review here: http://squarepig.co.uk/review1/; the song itself hasn’t been released yet). I
found myself quickly attracted to the sincere and drastic sound of TiTORS iNSiGNiA’s music
what eventually made me keep an eye on the band, that has been established in
2008, henceforth. A wise decision as it seems, and a wide-ranging one as
well. Now it’s not only a pleasure to
give you an insight on how the songs of TiTORS iNSiGNiA’s debut album ‘Fair City Riots’ have appealed
to me, it has also been a pleasure to devote myself to a full length album of
the band that has - unintendently - made me realize that writing about music is
something I thoroughly enjoy.
You might
conclude now that I’m slightly biased in respect to the band’s music and I
won’t deny that I’m beyond grateful for the opportunity @sqrpig and TiTORS iNSiGNiA have
granted me by putting trust into my ability to write a decent and pleasing
review for the Sty Rockin' Charts. And yes, this experience has influenced my
view on the band’s music indeed, but let’s face it: objectivity in its pure
sense doesn’t exist. Every writer strives to be as objective as possible yet can’t
absolve himself of being subjective to some point. One’s style of writing might
be affected by personal music taste, by somekind of background story or by one’s approach to and
attitude towards music. Whilst reading my articles you surely have noticed that
my passion and enthusiam for music shows through plainly visible, it’s what
makes the reviews, the depiction of bands and reliable music sources [e.g.
@sqrpig’s Sty Rockin' Charts, @DrcBones music show, @CultureCityTV (liverpool centred music/art/culture coverage) - articles about the vast institutions that
provide and support the music I enjoy listening to, are planned, hence watch
out for those] subjective, still it’s what defines carpe carmina. And I
wouldn’t change anything about it. As mentioned before, I try to capture a
band’s/musician’s sound in a candid way
but I can’t and actually don’t want to hide my affection as it’s what breathes
life into my description and estimation. To be honest: the music TiTORS iNSiGNiA present,
doesn’t need to be polished and praised through my choice of words, through
scenic illustration, it speaks for itself. In a authentic and acute manner.
Hence let it be heard.
TiTORS iNSiGNiA do not only prove a great sense of music by
offering a varied and complex compilation of songs on ‘Fair City Riots’, they
do also showcase an unaltered and enthralling sound which is distinctive of dynamic
drum (Ste Swift), thrilling
and skillfully staged guitar (lead guitar: Rob James, rhythm guitar: Stu Oggy) and emphatic bass (Peter Murphy) cooperation, and also marked by powerful vocals (Stu Oggy), at times
edgy, at times rather soft in sonority yet constantly bearing a raw and sharp
timbre. The band knows that the music genre they shine most, is pure and
intense Rock’N’Roll, a tribute and revival to classic rock anthems, and that’s
why their music is convincing to such an extent. It shows that the band members
are experienced and firm musicians and that their overall sound is an
established and expressive one, a sound TiTORS iNSiGNiA can identify with, moreover a sound TiTORS iNSiGNiA feels comofortable with. It’s
this confidence and charisma that wins the listener over, that has convinced me
the very first time I listened to the band’s music.
There’s
something notable and distinctive to mention in respect to every song of TiTORS iNSiGNiA’s debut
album ‘Fair City Riots’ - may it be a striking instrumental moment, a
fascinating vocal performance or a prime tonal/lyrical arrangement. ‘Out Of
Sight, Out Of Mind’ for instance depends on grungy and brisk vocals, as well as
on its keen presentation, and so does ‘Playing With Fire’. The latter makes its
mark additionally by staging an authentic, genuine and inviting intro,
authentic and genuine due to the scratchy sound of the amplifier that soon mingles
with energetic and resounding guitar riffs, inviting due to the impressive and to a certain extent cocky, means forceful, vocals. It’s
these cocky, eccentric vocals that make ‘Fair City Riots’, the album’s third
track, excel, it’s the unaltered and firm drum intro of the song that makes it
shine. And it’s the same with ‘I Don’t Love You’: a short but sweeping drum
intro, expressive and trenchant vocals. Yet it’s undeniable that TiTORS iNSiGNiA also put
forward rather melodious and light, not all too forceful and impetuous songs
which impress with a clear and prominent vocal performance. Prominent by all
means: Stu’s voice resounds in a mellow and melodic manner on ‘A Town Called
Yesterday’, yet the timbre is indisputably raw and rough. To spot the obvious:
‘A Town Called Yesterday’ is the most conformed song of the band’s debut album,
it reveals pop music traits with its catchy lyrics and its focus on a winsome
and euphonious brigde and chorus. Light and gentle vocals too characterize both
‘Lonely Girl’ - remarkable in particular due to a string section intro - and
‘Set In Stone’ which embodies the motive of ‘carpe diem’, of making the most
out of one’s decision-making-power. With ‘Timewaster’ and ‘The Chancer’ the
band concentrates on dominant and notable guitar riffs as the instrumental
intros of the compositions explicitly show. The grand guitar sound is enhanced throughout both
songs, whilst ‘The Chancer’ depicts a noticeable
compositional structure: there’s is an assonant instrumental and vocal intro and
outro, complemented by a drastic change in pace that is emphasized through an
eccentric vocal performance in between the intro and outro of the track. ‘Bring
Me Back Alive’ is introduced to the listener with a guitar intro as well, yet it’s
an more ambient sound as acoustic shades shine through. However, the
instrumental arrangement is laid-back, the vocals are at the center of
attention. And they satisfy with strength and soul. The last track on TiTORS iNSiGNiA’s musical
debut, is a stand out one: ‘Freedom Fighter’ is presented in an acoustic style,
is prominent due to mellow and emotional vocals which raise and rise throughout
the entire composition and thereby distinctly and firmly pronounce the song’s message: it’s a homage
to those who have served their country well, a tribute to brave and devoted
soldiers.
‘Why can’t we just [...] speak our minds, write it down in a song’ - TiTORS iNSiGNiA have done
so in a genuine and heartfelt way not only by composing ‘Freedom Fighter’
[whose proceeds go to ABF Soldiers' Charity (@Soldierscharity (soldierscharity.org),
the Army’s National Charity since 1944) and whose official video launch takes
place on Aug. 22nd at the Cinema Bar on Duke Street (St. Helens) and honors local veterans such as
Andrew Reid and other ex soldiers] but also by releasing a well elaborated,
thoughtout and complex album, distinctive and varied in sound, expressive and considerable
in its message and meaning.
TiTORS iNSigNiA - Fair City Riots (release: 5th January 2012)
Tracklist
01 Out of Sight, Out Of Mind
02 A Town Called Yesterday
03 Fair City Riots
04 I Don’t Love You
05 Lonely Girl
06 Playing With Fire
07 Timewaster
08 Set in Stone
09 Bring Me Back Alive
10 The Chancer
11 Freedom Fighter
Album cover draft |
Charity single 'Freedom Fighter' (artwork) |
Mark it on
your calendar: Charity event ‘Video release for ‘Freedom Fighter’’on August 22nd
(https://www.facebook.com/events/527459093992709/ ). See TiTORS iNSiGNiA perform an acoustic set at the Cinema Bar on Duke Street (St. Helens) and
show tribute and respect to veterans and ex soldiers. It’s a good cause, hence
attend and make sure to pre-order ‘Freedom Fighter’ (on all digital download
sites) as the entire proceeds go to ABF Soldiers' Charity.
Update: The charity event has made a mark and difference for those who have bravely and genuinely served their country, now it's your turn to acknowledge and honor the deeds veterans and ex soldiers have done to speak up for their beliefs, to protect the ones they love, to defend their country, in conclusion to defend their homes: do so by watching the official music video for ‘Freedom Fighter’ - a commendable tribute of TiTORS iNSiGNiA - and by purchasing the single afterwards (as mentioned before ALL PROCEEDS GO TO ABF Soldiers' Charity). So what are you waiting for? Watch the video, do a good deed by purchasing ‘Freedom Fighter’ and enjoy impressive music by inspiring musicians!
The band's second album is currently in the making, so watch out for new, notable and striking songs.
TiTORS iNSiGNiA - Beg, Plead & Pray
Twitter: https://twitter.com/TiTORS_iNSiGNiA
Facebook: https://www.facebook.com/TiTORS.iNSiGNiA
reverbnation: http://www.reverbnation.com/titorsinsignia
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